10 Helpful Tips for Working With a Wide Angle Lens for Landscape Photography

10 Useful Suggestions for Working With a Huge Angle Lens for Panorama Images

As a panorama photographer, I really like excessive huge angle lenses. I exploit my 16-35mm for 90% of my photographs and I largely use it at 16mm. After I give lectures about images, I usually hear folks saying they’ve hassle with utilizing excessive huge angle makes use of simply because they’re “so huge”. However these lenses require a unique method than your equipment lens to get essentially the most out of them.

Listed below are 10 recommendations on the right way to use/begin utilizing an excessive huge angle lens for panorama images:

#1. Observe By way of the Digital camera

When first beginning out with huge angle lenses, as an alternative of utilizing your eyes to have a look at the scene, use the digital camera/viewfinder. Preserve watching by the viewfinder/stay view whereas holding your digital camera near you and see the impact you’re creating. Foregrounds are extraordinarily necessary when utilizing huge angle lenses. Even very small issues like a bit rock or plant can seem a lot greater compared to the background on your picture.

#2. Search for the Small Particulars

That instantly brings me to the following tip: whenever you see an epic backdrop, go searching for small issues on the bottom that you would be able to level your lens at. The trick is to not get overwhelmed by an epic mountain or waterfall as they’ll seem quite small in your ultimate picture. Take a look at the small issues round you to incorporate them within the picture.

#3. Use Smaller Apertures

Use smaller apertures (excessive f-stop numbers) round f/14-f/16 to get as a lot into focus as potential. That is particularly necessary whenever you’re shut as much as a foreground. attempt to not shut your lens an excessive amount of (f/18-f/22) as this can lower picture high quality.

#4. Use Focus Stacking

Use a way referred to as ‘focus stacking’ when you possibly can’t get all the things into focus in 1 shot. With this method, you shoot completely different photographs with completely different focus factors and merge them later in Photoshop

#5. Experiment With Distances

Don’t underestimate the wideness of your lens. If you’re simply beginning out utilizing excessive huge angles you discover you possibly can virtually match something in your body, usually method an excessive amount of. Expertise taking pictures the identical topic at completely different distances. If you’re climbing to a mountain, for instance, shoot at completely different occasions throughout your hike and see how this impacts the gap between the foreground and backdrop.

#6. Get Low to the Floor

Small traces and textures on the bottom seem enormous on your foreground whenever you maintain your digital camera very low to the bottom. Attempt it out.

#7. Shoot at Totally different Heights

The peak of which your digital camera is ready makes an enormous distinction when utilizing very huge angle lenses. Expertise taking pictures the identical scene at completely different heights. The upper you maintain your digital camera from the bottom, the extra you level the digital camera down to incorporate extra foreground.

#8. Discover Totally different Views

Know {that a} tremendous small change of place, tilt, or pan from your digital camera makes a huge effect on the picture. When I’ve a very good scene in thoughts I at all times spend fairly a while strolling round objects to get them within the good place of the body.

#9. Use Distortion to Your Benefit

Excessive wide-angle lenses can create fairly some distortion some occasions. They usually make the sky look distorted and the clouds pointing to the center. You should utilize this to your benefit. Experiment with a half land/half sky composition (as an alternative of the overall rule of thirds) when the sky asks for it.

#10. Pay Consideration to the Corners

Pay shut consideration to the corners in your body, particularly the underside 2 corners. Attempt to get objects or traces main into the picture near the corners. This isn’t a tip for less than huge angle lenses. You need to not directly lead the viewer into your picture.

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